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- CINEMA, Page 62Out-of-Body Experience
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- By RICHARD SCHICKEL
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- DEFENDING YOUR LIFE
- Directed and Written by Albert Brooks
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- Albert Brooks seems to be a very rational fellow. His screen
- character is typically a man who listens attentively to other
- people, does not demand too much of them (or of life) and is
- always amenable to compromise should a conflict arise.
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- No wonder a faint air of depression surrounds his movies.
- Reasonable behavior is not a quality likely to get you very far
- at this late date in this unreasonable century. Or, as he
- demonstrates in his soft-spoken but boldly imagined new comedy,
- Defending Your Life, very far in the afterlife.
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- Thinly disguised as an advertising man named Daniel Miller,
- Brooks departs this earth as a result of a rather silly car
- crash and finds himself in a limbo called Judgment City. It is
- a not-too-bright Southern Californian's idea of paradise -- all
- high-rises, malls and programmed politeness, but with no smog.
- Best of all, you can eat all you want of healthless foods and
- not gain an ounce.
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- Nevertheless, serious work goes on here. The dead are
- required to examine their past in quasi-judicial proceedings,
- complete with judges, prosecutor and defense lawyer. The court
- can summon up on a screen any moment from the defendant's life
- to provide evidence about his nature.
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- The stakes are not uncompromisingly biblical: heaven on the
- one hand, hell on the other. The spirit is much more Buddhist:
- good souls are permitted to go on to a new life, while unworthy
- ones are sent back to earth to try again. After you've been to
- Judgment City, the second alternative is not entirely
- appealing. The highly evolved locals jocularly refer to
- earthlings as "little brains," because they employ only 2% or
- 3% of their mental capacity. A step backward becomes
- particularly dispiriting to Daniel after he meets a brave,
- smart woman named Julia (played by a sexily beaming Meryl
- Streep). She is a sure shot to move on to a higher plane of
- existence, and he would desperately like to join her.
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- His chances of doing so are not strong. He has been all too
- reasonable, that is to say too quick to accommodate and
- compromise in his past life. He has failed to realize his
- highest potential or, for that matter, all the happiness he was
- entitled to. He clearly needs more practice in living. To make
- matters worse, his defense attorney (the excellent Rip Torn)
- is distracted and dispassionate -- he obviously thinks Daniel
- could use more time in the minors -- while his prosecutor (the
- equally fine Lee Grant) is ferociously well prepared. Both, as
- it turns out, reckon without the reformative powers of true
- love, and don't comprehend Daniel's capacity to die and learn.
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- Defending Your Life is better developed as a situation than
- it is as a comedy (though there are some nice bits, like a
- hotel lobby sign that reads, WELCOME KIWANIS DEAD). But Brooks
- has always been more of a muser than a tummler, and perhaps
- more depressive than he is manic. He asks us to banish the
- cha-cha-cha beat of conventional comedy from mind and bend to
- a slower rhythm. His pace is not that of a comic standing up
- at a microphone barking one-liners, but of an intelligent man
- sitting down by the fire mulling things over. And in this case
- offering us a large slice of angel food for thought.
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